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Rooting

Light of Leaves

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As for the genre that firts catches , this the poetry, perhaps because as far as the methodical use of language is concerned, it takes us into a dimension of the word that goes beyond the rules of meaning, using them as if they were stilts, for to place oneself in a multi-perspective view.
From the beginning, the one who writes as if there is no faithful way of fixing the feeling experienced at a given moment, and this is very logical, since conjugating time, space, and event, in addition to the ordinary that the exercise of making poetry, seems to show , necessarily has to include passion, because we know that such prose is only in appearance.
So that making poetry allows us to escape from the world falsified by the senses to peek into other regions, allows us to show how arduous such work of falsification has been, and how beautiful the fact of being able to transform the approach to it is presented. I don't think there is a simpler way of approaching nature than adopting change as a revelation, a revelation about the originality of the phenomena that show it as such, and its behavior against the light of what is felt... That which to the eyes appears superficial, in what is imagined outside is naturally deep.
In Raigambre the poetic sense tries to drill into that kind of depth, using the word, it seeks to create its own forms, its own curvatures, giving way to a rich range of images, in which romantic love appears and sometimes stands out, bringing up to paper lyrical offerings that go beyond language and at the same time show their world of possibilities, widened by the contemplation of the landscape, demonstrating that it will never be too late to discover the organic value and strength of the written word, but also proposed as a poetic voice embedded in the need to recreate it starting from an order, from a composition.
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editorial
edición del autor
disponibilidad
impreso bajo demanda
año edición
2023
n° edición
1
categoría
Poesía
n° páginas
229
formato
17 x 24 cm (sin solapa)
papel
Papel Blanco 75 Grs
color
Blanco y Negro
Panyu Damac

Douglas Uzcátegui Rivas nace en el año 1968, en Santo Domingo Estado Mérida, Venezuela, un pequeño pueblo de Los Andes situado sobre los 2000 msnm, donde crece rodeado por espléndidas montañas y mágicos paisajes que le encantarán de por vida. Hijo de Elba de las Mercedes Rivas y Antonio Uzcátegui Téllez. Criado y educado por una familia humilde pero fielmente unida con tres hermanos, una madre amorosa, y un padre todo terreno amante de la literatura, que llenaron una habitación de libros y enciclopedias, cuando todavía no llegaban a nuestros hogares señales de televisión, fueron decisivos despertándole el interés por la lectura.
A los 14 años escribe sus primeros cuentos de aventura y ciencia ficción, y representa a su colegio en competencias de ciencias, carrera y ajedrez. A los 16 años empieza a escalar montañas moti
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