Rooting

As for the genre that firts catches , this the poetry, perhaps because as far as the methodical use of language is concerned, it takes us into a dimension of the word that goes beyond the rules of meaning, using them as if they were stilts, for to place oneself in a multi-perspective view.
From the beginning, the one who writes as if there is no faithful way of fixing the feeling experienced at a given moment, and this is very logical, since conjugating time, space, and event, in addition to the ordinary that the exercise of making poetry, seems to show , necessarily has to include passion, because we know that such prose is only in appearance.
So that making poetry allows us to escape from the world falsified by the senses to peek into other regions, allows us to show how arduous such work of falsification has been, and how beautiful the fact of being able to transform the approach to it is presented. I don't think there is a simpler way of approaching nature than adopting change as a revelation, a revelation about the originality of the phenomena that show it as such, and its behavior against the light of what is felt... That which to the eyes appears superficial, in what is imagined outside is naturally deep.
In Raigambre the poetic sense tries to drill into that kind of depth, using the word, it seeks to create its own forms, its own curvatures, giving way to a rich range of images, in which romantic love appears and sometimes stands out, bringing up to paper lyrical offerings that go beyond language and at the same time show their world of possibilities, widened by the contemplation of the landscape, demonstrating that it will never be too late to discover the organic value and strength of the written word, but also proposed as a poetic voice embedded in the need to recreate it starting from an order, from a composition. leer todo...